This is a response to a brief that asked us to imagine a clock or ringtone for the iphone display.
My concept is an alarm clock with an interface inspired by an orrery, as well as an old alarm clock. There are virtual 'pegs' that you can move around orbits to set the time.
I liked the idea of time being represented on a continual scale, as opposed to a clock and a calendar seperately.
Pursuit
A short animated piece created as a response to research I did into Fischli und Weiss.
My aim was to infuse geometric forms with personality. I suppose one might call it character animation in it's most basic form.
Visually, I was inspired by the credit sequences of Saul Bass and Maurice Binder.
My aim was to infuse geometric forms with personality. I suppose one might call it character animation in it's most basic form.
Visually, I was inspired by the credit sequences of Saul Bass and Maurice Binder.
My work featured in "Broadcast Now"
A still and a brief description of my animation for Mitchell and Webb are featured in this article in Broadcast!
Imagine That!
A piece broadcast on the Red Button at BBC 2 in conjunction with That Mitchell and Webb Look
Mrs. Bobbitt
The story of Lorena and John Wayne Bobbitt in rhyme!
My Final Project for the Motion Graphics Graduate Diploma at Chelsea College of Art.
Toy Theater
Zoetrope
Thaumatrope
Jumping Jack
After Effects Animation
June 2009
My Final Project for the Motion Graphics Graduate Diploma at Chelsea College of Art.
Toy Theater
Zoetrope
Thaumatrope
Jumping Jack
After Effects Animation
June 2009
The Demon Bridegroom
Here are pictures of the set pieces I built last summer (2008) for Andrea Dezsö's stop-motion film The Demon Bridegroom.
We Got Time - directed by David Wilson
It's been a while since I've updated with my own work, since most of my time is gobbled up by my course. I have, however, been involved with some very exciting projects.
Recently I helped out with a music video shoot for Moray McLaren's We Got Time directed by David Wilson of Blink Productions. This was an amazing experience, not only because it involved zoetropes, but also because I got to be in front of the camera! Granted, you only see my hands and chin, but it's an honor nonetheless.
View the quicktime and behind the scenes at David Wilson's Website.
Recently I helped out with a music video shoot for Moray McLaren's We Got Time directed by David Wilson of Blink Productions. This was an amazing experience, not only because it involved zoetropes, but also because I got to be in front of the camera! Granted, you only see my hands and chin, but it's an honor nonetheless.
View the quicktime and behind the scenes at David Wilson's Website.